Monday, January 31, 2011

Nimrod Camper For Sale Hardtop

CABECERA DE ENERO DE 2011: el ENERO del VIEJO BRUEGEL


During the month of January 2011 the head of select you has been a breakdown of Hunters in the Snow, by Pieter Bruegel, known as Bruegel the Elder. Oil on canvas painted in 1565, measures 117 x 162 cm. and is in the Kunsthistorisches Museum in Vienna.
is for the month of January the number of months that he painted for NICL BRUEGEL JONGHELINCK, a leading dealer in Antwerp. Not sure if BRUEGEL painted twelve tables, one for each month of the year, or just six months bringing together two by two (in this case our header corresponds to December / January). What is clear is that we have received only five tables: HUNTERS IN THE SNOW (December / January) GLOOMY DAY (February / March), the hay harvest (June / July), harvesters (August / September) and THE RETURN OF THE HERD (October / November). Failure, therefore, that for April / May. All were painted the same year, three are in the Kunsthistorisches Vienna, one in the Lobkowicz COLLECTION Prague and one in METROPOLITAN NYC.




Thursday, January 27, 2011

How To Clean White Leather Sofa

TIPS Aesculapius must read for all aspiring Medical


Medical
Want to be my son? Aspiration is this a soul generous, a hungry spirit of science, men want you to have as a God who relieves them drive away evil and terror.


Have you thought through what has to be your life? You'll have to give up private life, while most people can complete their homework, isolated away from the importunate, your door will always open to everybody, whatever time of day or night will come to disturb your rest, your pleasures, your meditation, you will not have hours to devote to your family to friendship or study, you no longer belong.


The poor, used to suffer, but will not call you if emergency, but the rich will be treated as a slave in charge to remedy its excesses, either because they are a cold, will you wake up in a hurry as soon as you feel the least concern, as far estimated at him. You will have to show interest in the most ordinary details of his life, deciding whether to eat beef or mutton, if they go to this or that way when they walk. You can not go to the theater, be away from the city, or be sick, you'll always be ready to go as soon as you call your master. Eras


severe in choosing your friends, looking for the society of men of talent, artists from sensitive souls, afterward you can not dispose of the bothersome, to the limited intelligence, the contemptible. The thief will have as much right to your assistance as the honest man, prolonging lives and the dire secret of your profession will not allow you to prevent crimes of which you will witness.


have faith in your work to win you a reputation, remember that you will judge you not by science but by the twist of fate, by cutting your coat, by the look of your home, the number your servants, for the attention you devote to the talks and tastes of your clientele. The will have to be suspicious of you if you spend no beard, others if you come from Asia, others if you think in the gods, others if you do not believe in them.


you like simplicity, so you must adopt the attitude of an Augur. Are active, you know what it's worth the time, you will not have to express annoyance or impatience, will have to endure stories to boot the beginning of time to explain a colic idle consult you for the simple pleasure of chatting. You will be the dumping ground for their troubles, their petty vanities.


feel passion for the truth, and you can not say it. You'll have to hide some severity of his illness, to others its insignificance, because they bother. You will have to keep secrets that you have, accept the view mocked, ignorant, complicit.


Although medicine is a dark science, whom the faithful efforts are shining through the centuries, no doubt you will be allowed to ever risk losing all credibility. If you do not claim to know the nature of the disease, which possess a magic bullet to cure the common people go to quacks who sell the lie that you need.


not count on appreciation, when the sick healthy, healing is due to its robustness, if you die, you're the one who killed him. While you are in danger treats you like a god, I beg, I promise, I praise fills, no sooner is in convalescence, already clogged, and when it comes to pay for care you've showered, I was angry and denigrates.


The more selfish men are more demanding request from the physician. The more greedy of them, but it has to be selfless, and they make fun of the gods give the priesthood to interest the worship of his sacred person. The city relies on it to remedy the damage it causes.


Do not count on this job make you rich so painful, I told you: it is a priesthood and would not produce decent gains as you get the oiler or selling wool.


I pity you if you feel desire for beauty, you'll see the most ugly and disgusting that exist in the human species, all your senses will be abused, you have to stick your ear against the smell of sweaty breasts, breathing the smell of miserable huts, perfumes uploaded tired of courtesans, feel tumors, healing wounds green pus fix your eyes and your nose in filth, stick your finger in many places. How many times a beautiful day to leave the scene of a piece of Sophocles, will call for a man bothered by abdominal pain, put before your eyes a basin foul, saying happy 'Because I have been careful not to throw '! Remember then that you seem to be very interested in this dejection.


itself to the beauty of women, human comfort, for you will fade, you'll see in the morning disheveled, haggard, devoid of its beautiful colors and forgetting about the furniture part of its attractions. Cease to be God to become afflicted with misery poor creatures graceless, feel more compassion for them many times do you wish to see an alligator scare sleeping at the bottom of the source of pleasure!


Your life will pass like the shadow of death, between the pain of the bodies and souls, including duels and hypocrisy that refers to the bedside of the dying: the human race Prometheus torn by vultures.


You'll be alone in your grief, alone in your studies, only half of selfishness, or even find support among physicians who are deaf war interest or pride. Only ease the conscience of evil can hold you in your labors.


Think while you're on time, but, indifferent to the fortune, the pleasures of youth, if knowing that you'll only between human beasts, have a soul stoic enough to satisfy the mission accomplished without illusions, if you judge well paid with the joy of a mother with a face that smiles because he no longer suffers, or the peace of a Dying who concealed the arrival of the deaths, if you yearn to know the man, penetrate all the tragedy of his fate.

Medical
Become my son!

Tuesday, January 25, 2011

3 Dpo Thick Lotion Cm

EL RECTOR DE JUSTIN, de LOUIS AUCHINCLOSS


Francis Prescott was ready a young, athletic, good family Boston, yet a carrerón ahead. But instead of going inside the ways of the world, decided to follow his religious vocation: Episcopalian pastor was ordained and founded a school for male high school, St. Justin Martyr. Over time, St. Justin ends up being a school of reference, whose classrooms passes the cream of the Protestant youth of the East Coast. When in the autumn of 1939, Francis Prescott, with nearly eighty years, is on the verge of retirement, Brian Aspinwall comes to school. He is a young educated at Oxford also has in mind the ecclesiastical career, a timid man with the weight and could not participate in the World War (for a heart problem has been declared unfit to be a soldier). Quickly dazzled by the figure of THE RECTOR OF JUSTIN. Aspinwall is a journal, which is precisely the novel that we have in our hands. And as you know the characters related to St. Justin and Prescott, will receive information sandwiched between the journal entries. Auchincloss So we will continue to publicize the life and personality of Prescott. THE RECTOR OF JUSTIN is therefore composed a biography based on stories: the diary of the main narrator and the various manuscripts that arrive more or less casual. And each of them shows a different facet of the legendary director of St. Justin, since he professes devotion Brian Aspinwall, through the love of his wife or faculty reverence, even fear of his students who in some cases come to hate.

Basically, with this set of statements for and against Louis Auchincloss is a matter well-known, yet interesting: we all have our lights and our shadows, we have moments of lucidity, even bright and dark moments, that those lights and the shadows are multiplied in the eyes of others: if we look with understanding or affection or reverence, magnify our figure, but if they do well, do not understand how we operate and we destroy without mercy, and that in the end, nothing is black or white: life is made of gray, shades. None are perfect, nor are we real jerks (I think these ideas I have also came to mind because recently I saw Crash, a film that I find remarkable and beautifully addresses this issue.)

THE RECTOR OF JUSTIN is a book that leaves me a contradictory impression: I started a couple of months and then stopped because I did not connect anything to catch him again and a half weeks ago and have devoured him as he was reading me snagged a lot, I enjoyed the book, with the theme and characters, but at the end, the feeling is not librazo. Is a right book, interesting, well structured, it seems that super writing (do not know the English text, but the translation reads PEYRO IGNACIO very fine, and that is appreciated) ... But note that something is missing. I thought, and I really do not know what it is. A pity, because I say that while reading I was looking great. I suspect it has to do with it hooked to the story and its protagonist, Francis Prescott, but not with Brian, his narrator, whose personality often grinds. It is true that Brian Aspinwall begins to find her little by little, but it is surprising that someone like Prescott Sponsor it so easily ... In particular I struggled to connect with his religious doubts and their references to religion, and again I could not say why, because there are inadequate: they are very logical and, to a large extent, define the character. But I have been interested. By the way, speaking of religion in THE RECTOR OF JUSTIN, and without going into depth, it seems unclear how it uses some terms that I have always understood as a Catholic priest especially to refer to the Episcopalian ministers, which I had always called pastors , but maybe it most correct: I do not know as they say. One issue at least, in any case.

Despite all this, I think THE RECTOR OF JUSTIN is above average: reading enriches and worthwhile, not is, in any case, a waste of time. They say it's the best novel by Louis Auchincloss: I do not know, although I have not excited I would not mind something else to read yours. An author who was unknown to me until now and, of course, I have been presented by ASTEROID BOOKS ...

Thursday, January 20, 2011

How To Catch A Shiny Pokemon In Heart Gold

interesting topics for BLOG: 1 The World's Most Dangerous Roads



ARCTIC HIGHWAY Dangerous easily breakable ice road, built mostly on frozen lakes, covers 550 km from Yellow Knife, capital of the Northwest Territories, Canada, where temperatures of -50 degrees Celsius, so it only remains operational for two or three months a year. It was built to bring down los costos de abastecimiento aéreo de las ricas minas de diamantes, entre ellas la de Ekati, situada en la Isla de Lac Du Gras.




CAMINO A LOS YUNGAS Ubicada en los Andes Bolivianos, por su alta peligrosidad es conocida popularmente como la “carretera de la muerte”. Con sus 64 Km de extensión une a La Paz, capital de Bolivia (3600 msnm) con Coroico, en Región de los Yungas, pasando previamente por La Cumbre (4300 msnm). Fue construida por prisioneros paraguayos durante la Guerra del Chaco, se caracteriza por sus profundos abismos, humedad y neblina, además de pendientes pronounced. It is the only place in Bolivia where people drive on the left, so that the driver can see the edge of the road, the driver have priority up towards La Paz on lowering towards Los Yungas who must stop and give step that up.


Guoliang TUNNEL Impressive human work, made by villagers in a rural community in the Taihang Mountains, Guoliang Province, People's Republic of China, who replaced the suspended road outside by an interior road through the rock.

In 1977, after five years strenuous work opened the tunnel 1200 meters long, 5 meters high and 4 wide, with large windows and uneven walls.

White Strands In Feces

TU ROSTRO MAÑANA 2, BAILE Y SUEÑO, de JAVIER MARÍAS


The second part of Your Face Tomorrow is a continuation of the first in all senses everything said in commenting on the first volume (Fever and Spear) it could say DANCE AND DREAM. Everything.

is true that the main action is not a dinner, the night and the next morning, but another dinner a bit of disco, and a good beating. But beyond that, the scheme is modeled. Or rather, is the novel itself: just the first with a mysterious woman following the lead, and started the second with the same woman knocking on the door of your portal. And from there, digressions, advances and retreats in time, memories, conversations with his wife, civil war, his father ... everything. Even as Fever and Spear ended leaving us in an action and no outcome, DANCE AND DREAM does the same.

strongly as an area to the entire text of the action occurs over time: the present and the manipulation of the past, the past and forgetting (" what is not has not been," "What was and was not" because you're not, you've never been "), the foreseeable future and YOUR FACE TOMORROW.

To point out something, I would say that Mary insists on the theme of salvation: do this "and save me"; do that "and then save yourself", "save you any risk and save it," "is not only silent about what saving "," and that may be enough to save. " Specifically, the phrase "shut up and then save yourself " I have indicated at least three times in the text. What do you mean? For now, I can not decipher ...

I was also struck by the number of triples used. Long jingles synonyms or verbs that express a similar action there are many, but often refers to the three by three, causing a slight internal rhythm, " a hypermarket or supermarket or pseudomercado", "would not argue with anything, to contradict, nor to alienate me ";" just weed or sand or swamp, "" at the foot of the chestnut horse and pseudonegra mouth of the wolf and to the pit of crocodiles "," large melon overalls and a cake, "" by a narrow and tight and adjusted the skirt, "" not divided or distinguished or distance. " And so many more examples you can copy.

I liked the pedal of doom, and I was tired a little cycling on the blood stain ...

And all this when commenting on the first volume (Fever and Spear) is that I DANCE AND DREAM, also say that this second volume of Your Face Tomorrow I liked so much, or nearly so, as the first.

Thursday, January 13, 2011

Steps To Rigging. Sailboat

RUBENS en el MUSEO DEL PRADO


I've long without commenting on the presentations I see. It is true that the last weeks / months I'm short on time, I have not gotten to see everything I would have liked, and I've lost something I wanted ... yes

summing up of what is seen, say that disappointed me MADE IN USA RECOLETOS MAPFRE whereas, however, I thought it was great and was very interested AMERICAN LANDSCAPES OF ASHER B. DURAND at the Juan March Foundation (and over), that RENOIR in the MNP was a must and is adjusted precisely what I expected: an artist of quality, small exhibit, and images too corny for my stomach (I said RENOIR somewhere that is not my cup of tea, and that certainly says less about me than him, but that's stuff), that Impressionist Gardens in CAJAMADRID-JEWELRY THYSSEN and I thought it was achieved though a little empachante: all too well (yes, the three paintings by Gustav KLIMT, spectacular) that I have half PAINTING OF THE KINGDOMS , yet still see the exposed section in the Royal Palace.

special signal so RUBENS sample because I was shocked, I loved it-the disposition of the paintings, the concept / installation of the exhibition which in itself has some character artwork. Artwork made from works of art. Very nearly a facility built paintings from the great RUBENS. A success that is worth visiting. For those who want to know more, here is the very complete explanation that makes the Museum .

Friday, January 7, 2011

Vídeos De Mulheres Lésbica

EL PÁJARO ESPECTADOR, de WALLACE STEGNER


'm amazed by Wallace Stegner: IN A SAFE PLACE and REST ANGLE were undoubtedly the best-even the best of all, I read in 2010, and THE SPECTATOR BIRD has been a sensational start to 2011.

had very good references from THE SPECTATOR BIRD, I liked the great input devotes ISI, and the other two titles had set the bar very high. So take me in danger of another disappointment, as I did with THE DAUGHTER OF ROBERT POST . But no I was not disappointed at all. On the contrary, often novel piece!: I found superb.

To relate the plot of THE SPECTATOR BIRD I turn back to the back of the book, which on this occasion itself adequately sums:

Joe Allston is a retired literary agent who lives far away in California with his wife, Ruth, without ancestors or descendants (his parents and his only son died some time ago), it feels like a spectator who attends at the end of his life. The arrival of the postcard of an old friend of hers forced to revisit the diaries he wrote twenty years ago when, for a few months, he traveled with his wife in Denmark to see the country from which his family had originated. Ruth convinces her husband every night to read an excerpt from the diaries, and so are reliving what happened during that trip, especially the marriage relationship with the mysterious Danish aristocrat Astrid Wredel-Krarup, who was his host in Copenhagen. The memory of that time awakens in them feelings and long-neglected questions and leads them to reflect on transcendental aspects of their lives. As in previous novels, Stegner manages to accurately portray the multiplicity of sensations and feelings that crowd at maturity. The spectator bird won the National Book Award in 1977. Wallace Stegner

again creates characters of flesh and blood absolutely, the frame fits into a completely believable, and makes you feel like meeting you, chatting with them, be part of your group of friends. Some real characters, religion (to me this much hooked me: educated people who read that quote, he meets interesting characters ... really), witty, with heart, with virtues and defects.

The author draws back the memories-in this case as a daily-mixed with the present. The story of Joe and Ruth in the present talks the fear of aging and the inevitable reality of aging, I think it is fully achieved. Past history tells us the weeks they spent in Denmark with the Countess Astrid Wredel-Krarup, is more puzzling, because as the plot progresses, it novelero , a little melodrama, and Stegner force to bring the reader a way that, at least to me, I was real little surprising for, how does that fit with the other?, I was wondering ... Until the end everything is put in place, no strange things, without double somersault with twist and also a way and with a depth that I found very successful.

To cite some details, there are over text a cameo Karen Blixen which is great. And Danish dating that I found disconcerting, for incomprehensible, but I guess that does not translate these phrases Stegner's novel, and the translator into Castilian, with good reason, neither does.

is not easy to count over SPECTATOR BIRD without gutting the story, so I will not comment further, but of course I found quite round. It is obvious that I'm a redneck Wallace Stegner (as I said at the start), and therefore my opinion may be biased. Perhaps some SPECTATOR BIRD it does not appear so bad, but it is a book I recommend to anyone all (And three cheers for ASTEROID BOOKS!).

Monday, January 3, 2011

Toys For Aquatic Turtles

TEA, TENERIFE ESPACIO DE LAS ARTES, de HERZOG & DE MEURON ARQUITECTOS, en SANTA CRUZ DE TENERIFE

the middle of last month I had to make a trip to the Canaries. A quick thing: a day in Tenerife and one in Gran Canaria. Tenerife work took me all morning and noon-meal-a Friday, and before getting to the airport to jump to another island, I was more or less time and a half in Santa Cruz, I took time to visit TEA, TENERIFE Art Space, Cultural Centre designed and built by Swiss architects Jacques Herzog and Pierre de Meuron . On a previous trip had seen in works and was eager to visit him over.

The TEA is situated next to the Barranco de Santos in the bottom of Santa Cruz, and adjacent to the MUSEUM OF NATURE AND OF MAN. It is a long building, parallel to the ravine, which is adapted to the terrain that falls into the sea. Although the building once thought is relatively simple, the first impression is of considerable complexity.

The overall volume is made up of two distinct parts, one triangular and one irregular, which covers almost touching, almost rub-on only two points between the two parts to configure a courtyard, also triangular. Precisely at the contact points are access covers the whole, for which we are allowed to pass from the outside. Open a permanent step: actually tour inside the TEA is a communication between two parts of the city, a city tour always accessible to the city, across the TEA as one travels down the street when going to work or strolling through the park when you sober up.

The exterior is very tight, Really large mass (of a material that seemed concrete with a striped finish I do not know precisely what it is, but might refer to volcanic rock dark gray) that is drilled into small holes to form geometric but irregular, like Tetris pieces, which resemble pixelation of an image. Those little holes density varies depending on the rooms that contain: more in some places and too few in others. And look also vary depending on time of day when we see them: while it is light outside, the glare of the Canary Islands "are small pieces of mirrors ruts or city light and at night, instead are loopholes by which face hundreds of yellow lights that pierce the dark wall.
walk that walk inside When we talked about above, which is enter the TEA but not yet entered the , all change: we access the triangular plaza (unfortunately with canopy cover, although I suppose necessarily covered to prevent excessive heat and light) and found a totally opposite, permeable, which covers much of interior space , although we can not understand it at all ...

If we agree within itself, the tours are still a strong point of TEA, the building requires us to reach the deep end of the hall, where we expect the stairs, and from there raised or lowered to retrace our steps, although at a different level, one floor above if you want to go to the hall or a below if we want to get to the library. It is compulsory to quote now the upstairs hallway that ends in the ceiling, and required him to understand it (the picture not clarified the matter, in any case, leave thousands here.) I had no time-or time-to see the exhibition halls, but the wonderful library, a space that seemed conseguidísimo divided into three parts: two side pieces with a high ceiling-high, which are those that look over the sides of triangular square that we have already spoken, and a central, lower the ceiling of which is precisely the floor of the plaza ... One side is open to a patio with plants and a mural that can not appreciate quiet, and the other opens onto the cliff by the vast array of "hollow" pixel "diversísimos shapes and sizes. And from here we went back to Santa Cruz.

I said earlier that the TEA is relatively simple but the first impression is of considerable complexity: the very complexity that has to tell how the building. I suspect that my description is somewhat / very confusing (and I've just spoken of the spaces, continuous and rich, or materials), plus I have not been able to find drawings (plants and, especially, sections) that illustrate the input. On the one hand I feel this confusion, because I found a part of a quality that I am capable of transmitting these buildings is to see and, above all, go, but on the other hand, however, do not feel almost anything, because the difficulty to describe the TEA responds directly a conceptual and spatial richness that has: a building without being the ultimate is really achieved.